Largo das Dores or Dores Square is a square in Póvoa de Varzim city center in Portugal. Part of the old town (Vila Velha) of Póvoa de Varzim, this area is listed by City Hall as heritage site. With about 11.000 square meters, its most noticeable features are its two churches, located in the sites of ancient chapels, one of which was the first church of the city.
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Dores Square occupies an area formerly known as Lugar da Mata, located in Vila Velha - the old town of Varzim. Vila Velha shows traces of having been inhabited since the Roman age, probably dating to the reign of Caesar Augustus; it was probably the original site of the city's first Villa Euracini (Roman villa).[1] In the Middle Ages, the town's name evolved to Vila Veracin (Town of Varzim).[2] The 11th century saw the arrival in Portugal of Henry of Burgundy, who assigned the seaport of Varzim to Guterre Pelayo; by this action, Pelayo became the first Lord of Varzim.[3]
In the 11th century the northern section of the square housed the Mata Chapel, a Romanesque chapel dedicated to Saint James.[4] The Parish of Santa Maria of Póvoa de Varzim is referred, for the first time, in a registry in 1456. Until then Póvoa de Varzim was integrated in the São Miguel-o-Anjo Parish of Argivai, despite the existence of Mata Chapel. This Gothic-Romanesque chapel became the First Church of Póvoa de Varzim, where Our Lady of Varzim, a 13th century icon, was being venerated.[5]
The story surrounding the change in invocation is told in The News of the Town of Póvoa de Varzim made on May 24, 1758 by Lieutenant Francisco Felix Henriques da Veiga Leal, in which he says "To the west of Misericordia Churchyard [Mata Chapel] there's a field that the people names "Passadas" (steps) or "Pègadinhas" (little footsteps): it is a tradition that in this place, there are dips in some rocks that they know as "passadas" or "pégadas" (footsteps) in which the miraculous icon of Lady of Varzim appeared (…) The seafarers of this town, also the neighboring peoples, have great faith in Her (…) The Portuguese merchant captains of this region passing by this coast they fire a gun salute from their ships. They say that after her apparition they placed her in Madre Deus Chapel, which was within the town, and in the next day the icon was missing; they found it in the same rocky place in which it appeared for the first time. They say that this place of Misericordia church there was a parish chapel, and they say with the invocation of Saint James, not very popular because it had close to it bushes in which several poisonous animals were seen especially a large snake".[6]
Lugar da Mata despite being out of the urban core of Póvoa de Varzim, was very busy because it was at a crossroad between several ways, namely the road between Vila do Conde and Esposende, that crossed in there with the ways that arrived from Giesteira and other suburbs.[1]
The church was known to have the icon of a snake, destroyed during the 18th century church improvements. The people associated this serpent icon, typically Romanesque, with the legend of Our Lady of Varzim icon.[6] The traditional Póvoa de Varzim Easter ceremonies appeared in April 1687 in the First Church, due to António Cardia, the cheaf pilot of the Portuguese armada, and his daughter.[3][5]
In the 18th century, Póvoa was expanding, and Santa Maria de Varzim Church, the ancient Mata chapel, proved to be too small for such a growing community and was not in the civic center of the time. A new first church was inaugurated in 1757 in Praça Velha. The church became known as Misericordia Church, due to a devotee from the oldtown, Maria Fernandes, widow of Manuel Francisco Maio, that left all her wealth to create, in the old first church, the Misericórdia Brotherhood in 1756, reuniting with it, the Passos Brotherhood, that already existed in the temple, by this the Santa Casa da Misericórdia of Póvoa de Varzim is created. The oldtown's population-loss led tat, by mid-18th century, there were only four houses surrounded by farmed fields.[3][5]
Senhora das Dores Church, from where the square's name derives, in found in front of the old first church, in a small hill where previously the Senhor do Monte (Lord of the Hill) was venerated in another small chapel. The change in invocation occurred in Jully 24th 1768, when the archbishop authorized the placement of a Senhora das Dores icon in the chapel to a group of devotee Latin Grammar students, they were helped by some residents. From then on, the temple was significantly changed for a long period that ended in the 19th century when the six chapels were built.[3]
On June 8, 1784 a curious procession is registered in Dores Square in which the icon of Senhora das Dores is taken to Nosso Senhor Jesus Cristo Crucificado in the Misericórdia Church, that by Senhora das Dores intervention, the rain may fall for the lands to be productive. Misericórdia Church, was demolished in 1910 because it was almost in ruins, the lack of architectural grandeur and the expansion of the new beach district's Mouzinho de Albuquerque Avenue. Near the old church, the new Misericórdia Church started being built one year prior to the demolition. Stones with historical or artistic value, such as the Gothic-Romanesque door and signed stones where carefully saved and stored in the City's museum.[6]
The harsh long winter of 1811 provoked the 1811 Famine amongst the fishermen and the epidemic that followed it.,[7] which led the city hall to obtain a license for the establishment of a provisional hospital in a city hall room in that year. But the room could not substitute a true hospital. City Hall asked King John VI the definitive establishment of a hospital in town and to look for available land where it would be built.[7] The plea was well received, and there were orders for the project to start in 1819. Only in 1826, seven year on, that the construction works started due to efforts by José António Alves Anjo and other Povoans. The hospital, built behind the old First Church, opened to the public on June 29, 1835.[7]
In 1866, to the east of the hospital, the first cemetery out of churchyards is created, in the place of the old prison, this finally ended the tradition of burial of the deceased inside churches and its yards, especially in the old First Church.[8]
Because it was a square in a strategic location in relation to the city and the surrounding countryside, at Wednesday, Dores square saw the "Wood Fair". This busy market ended in early 1930s. It started at sunrise, when farmers brought pine-wood pieces in their peculiar carts pulled by bulls. The wood was used for preparing meals by housewives, hotels, restaurants and bakeries.
The contemporary Misericórdia Church (1914), by Adães Bermudes, and the Nossa Senhora das Dores Church (18th century) limit the west side of the square by the north and south, respectively. The square has public health structure of regional relevance: the Hospital Center of Póvoa de Varzim/Vila do Conde and the Centro de Diagnóstico Pneumológico da Póvoa.
Palácio da Justiça (1965), where the Judicial Court of Póvoa de Varzim is located, is a construction with a Estado Novo architectural style by Raul Rodrigues Lima, between the pillars hall the statues of João Feyo are found, one representing Law and the other right. The palace has in its hearing room a fresco that invokes the delivery of the royal charter to Póvoa de Varzim by King Denis, work by master Augusto Gomes. In front of the palace, the Millennium Mark of March 26, 953 marks the date when Póvoa de Varzim appears for the first time in a known written document with its Latin name Villa Euracini. There's also the GNR republican guard that patrols the countryside of the municipality and the municipal 1925 building in the place of the old Póvoa de Varzim Prise. To the east, the square ends in Sagrado Coração de Jesus College, that belonged to the Dorothean sisters, today controlled by Póvoa de Varzim's Matriz Parish.
The collection of Santa Casa da Misericórdia Museum is noted by the 16th century Pietà painting, of Luis de Morales school, the Senhor da Prisão ex-voto (painting from 1817 from the old Santa Maria de Varzim church) and the distinct Saint Anthony of Padua icon from the 16th or 17th century, the icon follows a description by a Padua chronicler.[6]
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